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Depuis quand l'art "moderne" est-il devenu "contemporain"
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Six years ago
Kitengela RICARD ANOUK ce dernier étant déjà connuThis publication originates from the eponymous exhibition at WIELS, Brussels (2023). Through photographic views, the reader is invited to visually (re)visit the exhibition and (re)discover the "supple sculptures" by the Polish Belgian artist Tapta (19261997) and new works by Greet Billet, Hana Mileti, and Richard Venlet, which were inspired by Tapta's practice and made specifically, or adapted, for the exhibition.